'This particular interviewee explains in detail her love of running, and describes the geography of her neighbourhood, distinguished by a letterbox at the end of the road. Such are the gendered and social constraints imposed by other residents of the refugee camp, however, in a place where there is little privacy, that she is forced to run round and round the flat roof of her building instead of down the road, with her husband measuring out the distance in recognisable terms. 'Have I reached the post-box yet?' she reports herself asking, imagining that she is in fact running along the road outside her house, an activity forbidden to her because she is a woman.'
K.H.Adler, in 'Gendering histories of homes and homecomings', in this volume, referring to a video art project by Palestinian architect Sandi Hilal called Roofs: public private open spaces in the camp. According to this note the project was 'produced in a refugee camp in Hebron on the West Bank in cooperation with UNRWA [The United Nations Relief and Works Agency] and the University of Stuttgart.'
The image is from the Occupied Palestine blog.
